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David McCullough

Two Pulitzer Prizes for Biography

Thornton Wilder was asked how he got the ideas for his books, and he said -- or his plays -- and he said, "I imagine a story that I would like to read, or see done on the stage. And if nobody has written that book or that play, I write it so that I can read it or I can see it on the stage." Well, I wanted to be able to read a really first-rate book about the incredible story behind the disaster at Johnstown in 1889, and I found there was no such book. But having read that interview I thought, "Well maybe you could write the book that you would like to read." And I am convinced that the only way we ever really learn anything is by doing it.
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David McCullough

Two Pulitzer Prizes for Biography

I love to read mysteries. I love Dickens -- who doesn't love Dickens? -- either on stage or movies, but more in the printed page. And, I love the theater. I saw Frank Fay in Harvey when the road company came to Pittsburgh. I saw Brando in Streetcar. I saw plays like Inherit the Wind, and I thought, "Look at the possibilities in history as drama!"
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W.S. Merwin

Two Pulitzer Prizes for Poetry

When we talk about the extinction of species, I think the endangered species of the arts and of language and all these things are related. I don't think there is any doubt about that. I think poetry goes back to the invention of language itself. I think one of the big differences between poetry and prose is that prose is about something, it's got a subject and the subject comes first and it's dealing with the subject. But poetry is something else, and we don't know what it is (that) comes first. Prose is about something, but poetry is about what can't be said. Why do people turn to poetry when all of a sudden the Twin Towers get hit, or when their marriage breaks up, or when the person they love most in the world drops dead in the same room? Because they can't say it. They can't say it at all, and they want something that addresses what can't be said. I think that's the big difference between poetry and prose. All the arts, in a way, are doing that, they are talking about, "Dove sono? (Where are they?)" What's that? She can't say it, can she? Where are they? Where are they? What has happened to those days?
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James Michener

Pulitzer Prize-Winning Novelist

That night, I could not sleep, and I went out on that airstrip on Tontouta. I'll never forget it, about eighteen miles north of where our headquarters was, Noumea. And I walked along the airstrip, and that's when the war hit me, and that's when the phenomenon I spoke of before hit me. I said, "When this is over, I'm not going to be the same guy. I am going to live as if I were a great man." I never said I was going to be a great man because I had no idea what my capacities were. I had no great confidence; nothing in my background gave me a reason to think so. But I was not forestalled from acting as if I were. That is, deal with big subjects.
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James Michener

Pulitzer Prize-Winning Novelist

Associate with people who are brighter than you are. Grapple with the problems of your time. And it was as clear to me as if a voice were telling me to do this: "This is the choosing up point, kiddo. from here on." I had no idea that life was as short as it is. That concept comes very late in any human life, I think. I thought life was immeasurable, extensive to the horizon and beyond. But I did know that my capacities were not unlimited. I had only so much to spend, and let's do it in a big way. And I think that was all the difference.
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