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Francis Ford Coppola

Filmmaker, Producer and Screenwriter

This, of course, was one of the elements of the Eisenstein film that was so exciting. How the editing was able to take -- that's always fascinating -- take this, and this, and put it together, and have something come out that was neither of those two things. Of course, the sense of rhythm that editing can do! I was struck, I remember, on Ten Days That Shook The World, how although it was a silent film, there were sequences where you actually almost could hear the machine guns firing, because of the way it was edited. So it's a form of alchemy, of magic, that is very appealing. I think cinema, movies, and magic have always been closely associated. Because the very earliest people who made film were magicians. One of the aspects of it was the idea of an illusion, a magical illusion, in the early days of movies.
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Francis Ford Coppola

Filmmaker, Producer and Screenwriter

The grips will tell you that you don't know what you're doing, or the camera operator, or the camera man. Everybody. I mean, when you go on a set -- that's one of the reasons George Lucas never directed again. No one knows this, but when he made Star Wars over there in England -- George is sort of a little, skinny version of me, you know, and he's doesn't have the most physical kind of stamina. And he was so ridiculed -- you know that kind of jock-like attitude that crews can have -- putting him down for what he was doing and stuff. He was so unhappy making Star Wars that he just vowed he'd never do it again. Plus, he was like diabetic, so he was a little sick. That's why someone today said, you ought to love what you're doing because -- especially in a movie -- you really have to love the project and love the story, because over time you really will start to hate it. And the fact that you say, "Gee, but I really like what this is about," is a very valuable asset.
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Sheryl Crow

Award-Winning Singer and Songwriter

Sheryl Crow: I was one of those kids that was able to do the minimum for the maximum. Grades came easily to me. Studying came easily to me, and I enjoyed school, but my forte really was the arts. Loved music, always found my identity in music. I realized about at age four, I could play by ear. So while I was studying music, I was also getting away with playing stuff off the radio, and I kind of knew what direction I was going in.
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Michael Dell

Founder & Chairman, Dell Inc.

Michael Dell: I liked to take things apart. I was always taking apart telephones, radios, televisions, sort of anything electronic I could get my hands on. I liked to kind of see how it worked and sometimes I'd put them back together too. But I was mostly interested in understanding how things worked.
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Michael Dell

Founder & Chairman, Dell Inc.

When I was in the seventh grade, I was in an advanced math class. And in my math teacher's classroom at the junior high school I went to, they got the first teletype terminal at the school. And this was of course before personal computers, and basically you could like write a program and send it off to a big mainframe -- the answer would come back. And I became kind of, you know, fascinated with this idea of a computing machine. I thought that was pretty cool, so I would sort of program this teletype terminal and sort of learned all I could about computers.
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Michael Dell

Founder & Chairman, Dell Inc.

Michael Dell: My mother was a financial consultant, so she was immersed in the world of stocks and bonds, and I kind of became interested in currencies and interest rates and what was going on with commodity prices. Kind of an odd thing for a 13-year-old to be doing, but I found it interesting and would sort of read reports and started playing around and investing in things and just found that whole idea fascinating.
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