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Stephen Ambrose
Biographer and Historian
I started off with Alice with Eisenhower. We did the Eisenhower book, the two volumes together. And then she said, "Steve, you've got to do Nixon." I said, "Alice, I don't even like Nixon. I've never liked the guy. He's just the opposite of spontaneous. Everything he does is contrived. The only goal he has is self-advancement. He's just not the kind of guy that I want to spend that kind of time with. He's not the kind of guy I'd want to go backpacking with." And she said, "Where else are you going to find a bigger challenge than to do a good job on the life of a man that you don't like or even approve of?" Well, she caught me with that. She caught me with that just as effectively as Mr. Hesseltine caught me with the, "You're going to make a contribution to the world's knowledge." And I thought, "All right, Alice. I'll show you. I'll go out and do a book on Nixon that is not stabbing him in the back and not putting him on a pedestal, but is attempting to get at his character, which is virtually impossible." I think you've got to be Shakespeare to get Dick Nixon's character. But as Samuel Johnson says -- my favorite line of advice for a biographer -- "We cannot look into the hearts of men, but their actions are open to observation." View Interview with Stephen Ambrose View Biography of Stephen Ambrose View Profile of Stephen Ambrose View Photo Gallery of Stephen Ambrose
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Stephen Ambrose
Biographer and Historian
When I write about Thomas Jefferson, I make sure my readers know that he was a slaveholder, and when I write about William Clark, I make sure they know that he beat (his slave) York, who went all the way to the Pacific and back with him. I don't leave the warts out. But I look at Thomas Jefferson and I see a great man who has done great things for me, and you, and all Americans. Yet people say, you know, "Why should black Americans care one thing about Thomas Jefferson?" I'll tell you many, many reasons. I'll tell you one right off. Because of Thomas Jefferson, we got religious liberty in this country, and African Americans are the most religious of all of our peoples, and they exercise that privilege, that right, because of Thomas Jefferson. View Interview with Stephen Ambrose View Biography of Stephen Ambrose View Profile of Stephen Ambrose View Photo Gallery of Stephen Ambrose
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Julie Andrews
Legend of Stage and Screen
Julie Andrews: When I was first asked if I would like to do Sound of Music, I was very thrilled to be asked and very glad that I was going to do the movie, but was a little careful about certain aspects of it because it was tremendously saccharine, on Broadway particularly, and it seemed to me that if we weren't careful with the real scenery and with everything else that was going into it, it could be horribly sugary. And, I certainly made every effort to make it more astringent and the great Christopher Plummer contributed so much in that respect. It was his performance that was the glue, the vinegar that held the film together. And, then Robert Wise, who was again an adorable man, our director, and he taught me a great deal about filmmaking because Mary Poppins was the first film I ever made, and then I made one called The Americanization of Emily, but by the time I got to Sound of Music I was probably getting full of a lot of little tricks and things that I didn't know I was doing, and Bob said, "Don't do that. Don't do that. Do that." And, I really learned a little bit more about filmmaking at that time. View Interview with Julie Andrews View Biography of Julie Andrews View Profile of Julie Andrews View Photo Gallery of Julie Andrews
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Maya Angelou
Poet and Historian
I don't think modesty is a very good virtue, if it is a virtue at all. A modest person will drop the modesty in a minute. You see, it's a learned affectation. But humility comes from inside out. Humility says there was someone before me, someone found the path, someone made the road before me, and I have the responsibility of making the road for someone who is yet to come. Dr. King was really humble so that he was accessible to everybody. The smallest child could come up to him, the most powerful person could come up to him, he never changed. If somebody very rich and very powerful said, "Dr. King, I want to speak to you," he was the same person to that person as he would be to one of you who is 16, 17, if you would say, "Dr. King " He was still accessible, gentle, powerful, humble. View Interview with Maya Angelou View Biography of Maya Angelou View Profile of Maya Angelou View Photo Gallery of Maya Angelou
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Maya Angelou
Poet and Historian
I will not sit in a group of black friends and hear racial pejoratives against whites. I will not hear "honky." I will not hear "Jap." I will not hear "kike." I will not hear "greaser." I will not hear "dago." I will not hear it. As soon as I hear it, I say, "Excuse me, I have to leave. Sorry." Or if it's in my home, I say, "You have to leave. I can't have that. That is poison, and I know it is poison, and you're smearing it on me. I will not have it." Now, it's not an easy thing. And one doesn't all of a sudden sort of blossom into somebody who's courageous enough to say that. But you do start little by little. And you sit in a room, and somebody says -- if you're all white, and somebody says, "Well, the niggers -- " You may not have the courage right then, but you say, "Whooh! My goodness! It's already eight o'clock. I have to go," and leave. Little by little, you develop courage. You sit in a room, and somebody says, "Well, you know what the Japs did then, and what they're doing now." Say, "Mm-hmm! I have to go. My goodness! It's already six o'clock." Leave. Continue to build the courage. Sooner or later, you'll be able to say out loud, "Just a minute. I defend that person. I will not have gay bashing, lesbian bashing. Not in my company. I will not do it." View Interview with Maya Angelou View Biography of Maya Angelou View Profile of Maya Angelou View Photo Gallery of Maya Angelou
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Maya Angelou
Poet and Historian
When we talk about racism, we have to see that we are not just talking about acts against blacks, we are talking about vulgarities against any human being because of her -- his -- race. This is vulgar. That is what it is, whether it is anti-Asian, whether it is the use of racial pejoratives about Jews, about Japanese, about Native Americans, about blacks, about Irish, it is stupid, because what it is really is it is poison. It poisons the spirit, the human spirit. I know there are blacks who say, "I can use the N-word because I mean it endearingly." I don't believe that. I believe it is vulgar and dangerous, given from any mouth to any ear. I know that if poison is in a vial which says P-O-I-S-O-N and has a skull and the cross bones, that it is poison. But if you pour the same thing into Bavarian crystal it is still poison. So I think racism is vulgar any way you cut it. View Interview with Maya Angelou View Biography of Maya Angelou View Profile of Maya Angelou View Photo Gallery of Maya Angelou
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Maya Angelou
Poet and Historian
Maya Angelou: There was a time when Malcolm espoused the belief that all whites were "blue-eyed devils." But he took his life in his own hands when he said, publicly, that he had been to Mecca, and there he saw blonde, blue-eyed men whom he could call brothers. He said, "So everybody, what I said was wrong." Now, that took an incredible amount of courage to say that, because after he said it, he didn't live very long. He was killed after he said that. But he did see it, and he said it. And that has to be -- I mean, one has to salute him. View Interview with Maya Angelou View Biography of Maya Angelou View Profile of Maya Angelou View Photo Gallery of Maya Angelou
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